a new Cabernet from Napa, from a small but beneficent label. One of those stories I only 
Tonight the writer’s in his wine mood and mode. Wish I could play some Hutcherson, but the babies are asleep. And wish I had the energy and concentration to get to a thousand words but the wine’s catching the writer. Still, thought, this beatnik writeth. I’m like Dean as he parks cars. Sal, as he observes everything around him and listens to the jazz with Dean but doesn’t quite know what he’s seeing but looks anyway and writes about it later. This is my maison, this book, this story, told in wine’s accompaniment— a movie and just a moment, not so Hollywood or theatrical but if you spent a couple days in a tasting room you’d see the stage, the act, the interaction, the dialogue that begs to be captured. Yes, I’m more than liberated in this sitting with my Cabernet glass, here at the desk with barely any light above the writer. Just the way I prefer it— like I’m in some dark bar, overseas, writing while everyone else connects to conversations that go nowhere, conversations I capture and use for my book— people in the corner playing pool, talking about what to drink next, but I’m writing, sipping wine and digging in my own brain for ways to make their speech more seraphic.
Evening, this, sovereign. Still with a bit of Cabernet in glass. Surprised and a bit proud of Self for not drinking it too speedily. My book, narrative, begs wine’s involvement. Stepping slow in that vineyard block today made it more than clear. I’m under the lights with wine, in front of an audience, talking back and forth— wine trying to categorize me, me just sipping it but trying to sound like some expert or critic or voice that should be heard. We frustrate each other, but can’t stay away from the other. Odd love whirl. Not so much wind, but ink from my urges rescinds. Why. Why need there be a restart? Refocus on moment. Look at images. No act.