Thinking about this word in new view.
Looking back at the writer.
planning for the next should
always creatively catalyze.
is narrative maze.
In the rain is just what’s needed for sense and story, something new, some renewed and due truth.
Downstairs after dinner and everyone in bed but me. Long day, whole day in field and all I wanted was this. Some Jazz, low-lit room, xmas tree providing most of my sight. Walking up and down hills in SF makes me want there, the houses, I want just one of them… some impressive grander in my head bouncing forth and back and back to my senses which even I now question. Outside, sky and air remind me of what time of year envelops my Now.
Music on me unexpectedly quits. No mood to fight, quibble, scuffle. So I leave it off. Could turn it back on, with phone, but I’m composed in the composition of this room. Could use another beer for session. But I’ll wait a minute. And the music comes back. What is this devilish device doing to me? To my writing. Ignore it, I tell myself. At lunch, which I told myself I wouldn’t do, dine out, I was in Harvey’s (think it was called) writing in the corner, before the omelet arrived and walked around Castro taking in everything— lights and cars, shops and the bars with their engaging names, street lights and the evidence of history. Going back tomorrow, and making it more a point to write in “real time” as some say. But I hate that utterance and word sequence. “Real” “time”. If you have to note that it’s “real”, or remind yourself or a reader or observer that it’s “real”, there’s an obvious incongruence. To me, anyway. So.. point, write in immediacy spree. While people walk by, walking their dogs, as they answer the door to us knocking to tell them about what we’re doing for the community, put all to page.
Down here, in this room, family room while family upstairs swirls and swivels and swims in dream, I’m doing something, I think. Missed class tonight, and I feel awful, but no choice was mine. One of the sales leads out so I was the transporter man or whatever, taking team to and from between Noe Valley and Castro. San Francisco, begging me for conversation the same way that Paris would let go of Hem. I’m out there as a Field Sale Supervising, most presently and poignantly doing my job, but as well not letting the writing Me away gaze.
This room, now, just what I need. Tree luminous, piano notes and keys hit, and now me. Thinking of how I want to be seen, read, this job I have at a tech company that’s making me more a writer than I ever would have forecasted. Drive down with reps, talking about certain topics then re-focusing on what we were about to do with this new campaign, me the whole time thinking how with business if everything was this exciting, like in the wine world, businesses would more readily attain what they sought. The room says more to me, like just enjoy the room, go get a beer and be Hemingway for a night. Think about your city, SF, and how tomorrow will be definitively different than today. This room, now, not so much what I need but what’s ME. What I embody… composition, the page, me here on couch, in assembly. Time, rather “real”.
all interpretation and meditations leaning toward more. More exploration, more scenes, more looking around and acknowledging Now. Nothing behind, all ahead and in front of me asking to be experienced. What am I doing here, accepting any order, any regulatory, any institution. More, on that Road, the music, lights, cars, families traveling in winter or whenever. Sitting on unfamiliar boards, me…
to be in the Road.